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Sunday, April 17, 2016

Music Industry




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A Symphony Orchestra and Chorus.
A Caribbean steel band.
An English rock group.
A choir singing Christmas carols.
A sitar player performing Indian music.
A marching band in a parade.
Mariachi players at an outdoor café in Mexico City.
Folk singer Bob Gibson

Bulgarian folk musicians and dancers perform a dunce song Dance songs are a type of folk music composed to accom­pany folk dances.
Myer Music Bowl, an auditorium of striking modem design, offers open-air concerts during the summer. It is located in King's Domain, Melbourne, Australia.
Japanese music is often played on plucked stringed instru­ments called kotos. Other Japanese instruments include gongs, banjolike samisens, and shakuhachi (bamboo flutes).
An Indonesian gamelan orchestra consists of drums, gongs, and xylophones. Camelan music has a kind of harmony because the instruments play different melodies.
American Indian music often features singing and dancing accompanied by rattles. American Indians almost always perform music as part of an activity, such as a religious ceremony.
A music hall singer entertained audiences with comical or sentimental songs, adding jokes and dance steps. In early music halls, drinks were served during performances.
Myer Music Bowl, an auditorium of striking modem design, offers open-air concerts during the summer. It is located in King's Domain, Melbourne, Australia.

The instruments below are grouped in four major classes: (1) stringed instruments, (2) wind instruments, (3) percussion instruments, and (4) keyboard instruments. The fifth major class of musical instruments - electronic instruments - is not represented in these illustrations. Electronic instruments include electric guitars, electric pianos, electronic organs, and synthesizers

Musical instruments
Wind Instruments (Woodwinds): Oboe, English horn, Clorinet, Bass Clorinet, Flute, Piccolo, Bassoon, Soprano Saxophone, Tenor Saxophone, Baritone Saxophone.
Stringed Instrument: Violin, Viola, Mondolin, Guitar, Cello, Bass, Harp, Lute.
Brasses: Trumpet, Bugle, Trombone, French Horn, Sousaphone,  Baritone Horn, Flugelhorn
Percussion Instrument: Kettledrum, Snare Drum, Bass Drum, Bongo Drums, Vibraphone, Triangle, Triangle, Cymbals, Sleigh Bells, Chimes, Gong.
Keyboard Instrument: Piano, Harpsichord, Pipe Organ.

Some types of scales
The C major scale has a semitone between its third and fourth notes and between its seventh and eighth notes. You hear it when you play the white keys from C to C on the piano.
The natural minor scale follows a pattern of one whole tone, one semitone, two whole tones, one semitone, and two whole tones. This scale is often used in folk music.
The harmonic minor scale has three semitones between its sixth and seventh notes. This wide leap provides a bridge to the tonic, or main note at the octave.
The chromatic scale consists entirely of semitones and has 12 notes to an octave. You hear this scale when you play all the white and black keys from C to C on the piano.
Triadic chords
Combinations of notes are called chords. A triad is a chord made up of three notes, each a third apart, such as C, E, and G in a major scale. The most important triads in a musical composi­tion are the tonic, dominant, and subdominant.
Cadences
A series of chords that ends a piece of music is called the ca­dence. Most classical music ends with an authentic cadence. Many hymns use a plagal cadence. Examples appear below.
Pitch
Composers use a staff to indicate the pitch of notes. A def sign determines the name of each line and space of the staff. The main kinds of clefs are shown below.
The bass clef, also called the F clef, locates the F below middle C on the second line from the top of the staff. This clef is used in music that has low notes.
The C clef (alto) fixes middle C on the third line of the staff. It is chiefly used in music for the viola.
The C clef (tenor) locates middle C on the second line from the top of the staff. It is used for cello and bassoon music.
The great staff combines the treble and bass clefs

Time values: The shape of a note or rest indicates how long it lasts. The notes and rests shown are semibreve, minim, crochet; quaver, semiquaver, demisemiquaver, and hemide-misemiquaver. Staff signatures - The staff signature, or key signature, tells what key the music is written in. If the music has no flats or sharps, it may be in the key of C major or its relative minor, A minor. Each major key has a relative minor, and each minor key has a relative major

Time signatures: The time signature is a fraction that tells the number of beats in each bar and what kind of note receives one beat. For example, a signature of J has four beats, and a time signature of J has three. Both have a crotchet as the beat unit.

Expression: Composers use words and symbols to show the kind of expres­sion they want in music. For example, a curved line over notes indicates that the notes should be played legato (smoothly). A dot over notes means they should be played staccato (sharply separated)

Cadences - A series of chords that ends a piece of music is called the ca­dence. Most classical music ends with anauthentic cadence. Many hymns use a plagal cadence.
Pitch - Composers use a staff to indicate the pitch of notes. A def sor determines the name of each line and space of the staff. The main kinds of clefs …
Time values
The shape of a note or rest indicates how long it lasts. The notes and rests shown are semibreve, minim, crochet; quaver, semiquaver, demisemiquaver, and hemide-misemiquaver.
Staff signatures - The staff signature, or key signature, tells what key the music is written in. If the music has no flats or sharps, it may be in the key of C major or its relative minor, A minor. Each major key has a relative minor, and each minor key has a relative major
Time signatures - The time signature is a fraction that tells the number of beats in each bar and what kind of note receives one beat. For example, a signature of J has four beats, and a time signature of J has three. Both have a crotchet as the beat unit.
Expression - Composers use words and symbols to show the kind of expres­sion they want in music. For example, a curved line over notes indicates that the notes should be played legato (smoothly A dot over notes means they should be played staccato (sharply separated).

(1)vocal or instrumental sounds (or both) combined in such a way as to produce beauty of form, harmony, and expression of emotion.
"couples were dancing to the music"
synonyms:
notes, strains, tones, chords, soundMore
(2)the written or printed signs representing vocal or instrumental sound.
"Tony learned to read music"

A variety of musical performances  -  suggests some of the many
forms of music. But whatever the form, all music is sound

Music
Music is sound arranged into pleasing or interesting patterns. It forms an important part of many cultural and social activities. People use music to express feelings and ideas. Music also serves to entertain and relax.
Like drama and dance, music is a performing art. It differs from such arts as painting and poetry, in which artists create works and then display or publish them. Musical composers need musicians to interpret and perform their works, just as playwrights need actors to perform their plays. Thus, musical performances are partnerships between composers and performers.
Music also plays a major role in other arts. Opera combines singing and orchestral music with drama. Bal­let and other forms of dancing need music to help the dancers with their steps and evoke an atmosphere. Film and TV dramas use music to help set the mood and em­phasize the action. Also, composers have set many poems to music.
Music is one of the oldest arts. People probably a Caribbean steel band started to sing as soon as language developed. Hunting tools struck together may have been the first musical in­struments. By about 10,000 B.C., people had discovered how to make flutes out of hollow bones. Many ancient peoples, including the Egyptians, Chinese, and Babylo­nians, and the peoples of India, used music in court and religious ceremonies. The first written music dates from about 2500 B.C.
Today, music takes many forms around the world. The music of people in Europe and the Americas is known as Western music. There are two chief kinds of Western music, classical and popular. Classical music includes symphonies, operas, and ballets. Popular music includes country music, folk music, jazz, and rock music. The cultures of Africa and Asia have developed their own types of classical and popular music.
This article deals with the importance of music, musi­cal instruments, the elements of music, and the system used for writing down music. It also includes informa­tion on the various types of Western and non-Western music.

The importance of music
Music plays an important part in all cultures. People use music (1) in ceremonies, (2) in work, and (3) in per­sonal and social activities.
In ceremonies. Nearly all peoples use music in their religious services. One kind of religious music seeks to create a state of mystery and awe. For example, some cultures have special musical instruments played only by priests on important occasions, such as harvest cere­monies and the burials of chiefs. Similarly, much West­ern church music attempts to create a feeling of dis­tance from the daily world. Other religious music, such as hymn-singing, helps produce a sense of participation among worshippers.
Many nonreligious ceremonies and spectacles also use music. They include sports events, graduation cere­monies, circuses, parades, and the crowning of kings and queens.
In work. Before machines became important, people had to do much difficult or boring work by hand. For example, labourers sang songs to help make their work seem easier. Crews aboard sailing ships sang shanties songs with a strong, regular beat. The sailors pulled or lifted heavy loads in time to the beat. Today, the wide use of machines has made the singing of work songs rare in industrialized societies. However, many offices and factories provide background music for their work­ers.
In personal and social activities. Many people perform music for their own satisfaction. Singing in a choir or playing a musical instrument in a band can be very enjoyable. Music provides people with a way to express their feelings. A group of happy campers may sing cheerful songs as they sit around a campfire. A sad per­son may play a mournful tune on a guitar.
Many famous rulers have used music to help them relax. According to the Bible, David played the harp to help King Saul take his mind off the problems of ruling Israel. Kings Richard I and Henry VIII of England com­posed music. Other leaders have performed music. For example, the former British Prime Minister, Edward Heath is a spare-time organist and conductor. Former United States presidents Harry S. Truman and Richard M. Nixon played the piano.
People use music at a variety of social occasions. At parties and dinners, music is often played for dancing or simply for listening to. In some countries, it is customary for a young man to show that a young woman is special to him by serenading her or by sending musicians to play and sing for her.

Musical instruments
A musical sound, or note, is produced when air vi­brates a certain number of times each second. These vi­brations are called sound waves. Sound waves must be contained in some way so that the performer can con­trol the pitch, loudness, duration, and quality of the note. Whatever contains the sound waves must also pro­vide resonance - that is, it must amplify and prolong the sound so the note can be heard.
The vocal cords produce musical sounds in the human voice. These two small folds of tissue vibrate and create sound waves when air passes them from the lungs. The throat and the cavities in the head provide the resonance needed for singing.
Most musical instruments have a string, a reed (thin piece of wood or metal), or some other device that creates sound waves when set in motion. Musical in­struments can be grouped in five major classes. These classes are (1) stringed instruments, (2) wind instru­ments, (3) percussion instruments, (4) keyboard instru­ments, and (5) electronic instruments.
Stringed instruments produce notes when the player makes one or more strings vibrate. There are two basic types of stringed instruments: (1) bowed stringed instruments and (2) plucked stringed instruments.
Bowed stringed instruments are played by drawing a bow (a wooden rod with horsehair stretched from end to end) back and forth across the strings. The friction (rubbing) of the bow on the strings produces vibrations that are amplified by the body of the instrument. Most bowed instruments have four strings. Each string is tuned to a different pitch. To produce other pitches, the musician shortens the strings by pressing down on them with the fingers. This is called stopping.
The main bowed instruments, in descending order of pitch and ascending order of size, are the violin, viola, violoncello or cello, and string bass. These instruments form the heart of a symphony orchestra. Violins in an or­chestra are divided into first violins and second violins.

Musical terms
Accelerando means gradually speeding up the tempo. Accidentals are sharps, flats, and naturals not included in a key signature.
Adagio means slow.
Ad libitum indicates that the musician may play a composition with great freedom.
Agitato means played in a restless or excited manner.
Allegro means fast and lively.
Andante means smooth and flowing, at a moderate speed. Animato means lively or animated.
Appassionato means with great feeling.
Bar is a unit of musical time containing an indicated number of beats.
Cadence is a series of chords that brings a composition or one of its sections to a conclusion.
Cantabile means songlike.
Chord is a combination of notes played at the same time.
Clef is a sign that fixes the positions of notes on the lines and spaces of the staff.
Counterpoint is music that consists of two or more melodies played at the same time.
Crescendo means growing louder.
Decrescendo means growing softer.
Diminuendo means gradually growing softer.
Espressivo means with expression.
Flat is the semitone below a given tone, with the same letter name as that note. A flat is also the sign used to show that a note should be lowered a semitone.
Forte means loud.
Fortissimo means very loud.
Interval is the distance between two notes. The interval consist­ing of the notes C and E is called athird because E is the third note of a diatonic scale from C to C Likewise, C and F is a fourth, C and G a fifth, C to A a sixth, and so on.
Key is the particular scale used for a piece of music. It is based on a certain note, called the tonic.
Largo means extremely slow.
Ledger line is a short line drawn above or below the staff. It is used for notes too high or too low to appear on the staff.
Legato means smoothly connected.
Maestoso means majestic.
Meter is the arrangement of beats in a piece of music. It is indi­cated by the time signature, a fraction that appears at the begin­ning of the piece.
Mezzo means medium. It modifies other terms, as in mezzo forte (moderately loud).
Moderato means playing in moderate tempo.
Modulation is moving from one key to another key in a musical composition.
Molto means very or much. It modifies other terms, as in motto allegro (very lively).
Motive is a series of notes repeated throughout a piece of music.
Natural is a note that is neither sharp nor flat. A natural is also the sign used to cancel a preceding sharp or flat.
Octave is an interval of eight notes.
Pianissimo means very soft.
Piano means soft.
Piu means more. It modifies other terms, as in piupresto (faster).
Prestissimo means as fast as possible.
Presto means extremely fast.
Rallentando, or Ritardando, means gradually slowing the tempo.
Scale is a series of notes spanning an octave, arranged accord­ing to pitch.
Sforzando means played with a sudden, strong accent.
Sharp is the semitone above a given note, with the same letter name as that note. A sharp is also the sign used to show that a note should be raised a semitone.
Staccato means sharply separated from one another. The notes are as short as possible.
Staff consists of five horizontal lines and the spaces between them. Notes are written on the lines and spaces.
Tempo is the characteristic speed of a piece of music.
Theme is the main melody of a musical composition.
Tremolo means playing in a quivering or trembling style. Vibrato means a slight wavering in pitch, occurring so quickly that it sounds like a single pitch.
Vivace means played in a lively manner or with great speed.
The first violins play higher-pitched parts of musical compositions than the second violins.

Plucked stringed instruments are played by plucking the strings with the fingers or a pick or plectrum. The guitar is the most common plucked stringed instrument. It has 6 to 12 strings. The harp, another important plucked instrument, has up to 47 strings. Other plucked stringed instruments include the banjo, lute, lyre, man­dolin, sitar, ukulele, and zither. The strings of the violin and other bowed instruments also may be plucked to produce special effects. This style of playing on a bowed instrument is called pizzicato.
Wind instruments are played by using breath to vi­brate air in a tube. There are two chief types: (1) wood­wind instruments and (2) brass instruments.
Woodwind instruments are grouped together be­cause, before the invention of the saxophone, they were all made of wood. Today, many are made of metal or other materials. In such woodwinds as recorders, the player blows into a mouthpiece. In some other wood­winds, such as flutes and piccolos, the player blows across a hole in the side of the instrument. Still other woodwinds, called reed instruments, have one or two reeds attached to the mouthpiece. The reeds vibrate when the musician blows on them. The clarinet and sax­ophone are the chief single-reed instruments. Double reed instruments include the bassoon, English horn or cor anglais, and oboe.
The player controls the pitch of a woodwind by placing the fingers on holes in the instrument or on keys that cover holes. In this way, the player lengthens or shortens the column of air that vibrates inside the instrument. The piccolo and flute have the highest pitches of the woodwinds. The bassoon and contrabassoon have the lowest pitches.
Brass instruments are played in a different way from that of woodwinds. The player presses the lips against the instrument's mouthpiece so that they vibrate like reeds when the player blows. By either tensing or relaxing the lips, the player produces different pitches. With many brass instruments, the player can further control the pitch with valves that lengthen or shorten the tube in which the air column is made to vibrate.
The chief brass instruments in an orchestra are the French horn, trumpet, trombone, and tuba have lower pitches. The trombone has a slide instead of valves. The performer pulls the slide in and out of the instrument to control the pitch. Other brass instruments, including the baritone horn and sousaphone, are used in bands.
Percussion instruments are sounded by shaking them or by hitting them with the hand, a stick, or a mal­let. Drums are the most common percussion instru­ments. Most Western drums do not produce a range of pitches. But kettledrums, also called timpani, can be tuned to various pitches by adjusting the tension of the drumheads. Glockenspiels and xylophones have a series of metal or wooden bars that produce a range of pitches. Other percussion instruments include casta­nets, cymbals, gongs, marimbas, and tambourines.
Keyboard instruments have a series of keys con­nected by mechanical means to a device that produces notes. The musician presses the keys to make sounds. The best-known keyboard instruments are the piano, harpsichord, and pipe organ. The keys on a piano acti­vate small hammers that strike strings. On a harpsi­chord, the keys control a mechanism that plucks strings. Pressing a key on a pipe organ opens a pipe in which a column of air vibrates. The player operates some pipes by pressing pedals with the feet.
Electronic instruments include those that generate sounds by electricity and those that electronically am­plify sounds produced by an instrument. The most com­mon electronic instrument is the electric guitar, it makes louder and more varied notes than an ordinary guitar. Electric guitars, electric pianos, and electronic organs are widely used in rock music. A complex electronic in­strument called a synthesizer is used to create original sounds or to imitate the sounds of other musical instru­ments. Some synthesizers are operated by computer.

The elements of music
A composer uses five basic elements to create a piece of music. These elements are (1) notes, (2) rhythm, (3) melody, (41 harmony, and (5) tone colour.
Notes are musical sounds of definite pitch. Most music is based on a scale, a particular pattern of notes arranged according to rising or falling pitch. Western musicians name the notes of a scale by labelling them with the letters A, B, C, D, E, F, and G. This cycle of seven letters is repeated as the scale is continued upward. The distance between a note and the next highest note hav­ing the same letter name (for example, from C to C) is called an octave. There are eight scale notes in an oc­tave, including both the repeated notes. The note at the upper end of an octave has exactly twice as many vibra­tions per second as the note at the lower end.
The distance between one note and another is called an interval. The adjacent notes in a scale are separated from each other by one of two types of interval - a whole tone or a semitone (half a whole tone). In many countries, a whole tone is known as a whole step and a semitone is called a half step.
Most Western composers have based their musical works on diatonic scales. A diatonic scale has the eight notes of the octave arranged in a pattern that uses both whole tones and semitones. There are two chief types of diatonic scales, major scales and minor scales. The scales differ in the location of the semitones. A major scale has a semitone between the third and fourth notes and between the seventh and eighth notes. All the other intervals are whole tones. The natural minor scale fol­lows a pattern of one whole tone, one semitone, two whole tones, one semitone, and two whole tones. Two other minor scales, the harmonic minor and the melodic minor, have different arrangements of whole tones and semitones. But all minor scales have a semitone be­tween the second and third notes.
Sometimes composers need to raise or lower the pitch of a note in a scale by a semitone. A note raised in this way is called sharp. A lowered note is called flat.
The notes of a diatonic scale, which are also called degrees, vary in importance. The main note, called the tonic, is the first degree of the scale. The tonic serves as the tonal centre of the scale, and all other notes are re­lated in some way to the tonic. The tonic also gives the scale its name. For example, C is the tonic in the C major and C minor scales.
Next to the tonic, the most important notes of a scale are the fifth degree, called the dominant, and the fourth degree, called the subdominant. The seventh degree is calted the leading note because it leads to the tonic at the octave.
chromatic scale consists entirely of semitones. It has 12 notes to an octave, rather than 8. You can hear the chromatic scale if you play all the white and black keys from one C to the next C on a piano. After 1850, compos­ers increasingly used notes from the chromatic scale to make their music more colourful. During the 1920's, the Austrian composer Arnold Schoenberg developed a type of music based on this scale. This music, called atonal music or 12-tone music, has no tonal centre.
Rhythm is the way the composer arranges notes in time. Every note has a certain duration as well as a defi­nite pitch. Some notes may last a short time, and others a relatively long time. Rhythm helps give music its char­acter. For example, a familiar piece of music sounds very different if performed with all its notes the same length. The piece of music sounds strange because it lacks the variety of the short and long notes that make up its nor­mal rhythm.
Another important element of rhythm is accent. Most composers build their music on a pattern of regularly occurring accents. Certain types of music have a fixed pattern of accent. For example, a waltz follows a strong-weak-weak pattern, ONE two three ONE two three. A march has a strong-weak pattern, ONE two ONE two.
Some composers create different rhythms by accenting beats that are normally unaccented. This techniqL-5 known as syncopation, has been widely used in jazz.
Melody. The composer combines pitches and rhythms to create a melody, or tune. The American co­mposer Aaron Copland said, "Melody is what the piece is about." When we hear a piece of music, we most often remember its melody.
Some short pieces of music have only one melody. Longer pieces may consist of different melodies to give the music contrast and variety. A melody repeated throughout a composition is called a theme. Composer: often use a part of a melody or theme to develop musi­cal ideas. Such a part is called a motive. The first four notes of the German composer Ludwig van Beethoven s fifth symphony form a motive. By repeating and varying these four notes, Beethoven developed a theme for the first part of this work.
Harmony. Most Western music is based on the idea of sounding notes together. The sounding together of two or more notes is called harmony.
Harmony involves the use of various intervals in a scale. Intervals are named according to the number of degrees they cover in a major scale. For example, an in­terval from A to C covers three degrees - A, B, and C -  and is called a third. An interval spanning five degrees, such as A to E or C to G, is a fifth. Fourths, fifths, and eighths are called perfect intervals. Seconds, thirds, sixths, and sevenths can be either major intervals or minor intervals. Perfect intervals and major intervals can be augmented (raised a semitone). Perfect intervals and minor intervals can be diminished (lowered a semitone).
Composers use intervals to create chords, which are combinations of notes sounded at the same time. The composer may build a chord on any note. The most common type of chord is the triad, which consists of three notes, each a third apart. For example, a chord that consists of the notes C, E, and G is a major triad. A chord with the notes C, E flat, and G is a minor triad.
The tonic triad, or tonic chord, is the most important chord in a piece of music. It is built on the tonic note of the scale. The second most important chord is the domi­nant chord, and the third is the subdominant chord. The dominant chord is built on the fifth note of the scale, and the subdominant chord on the fourth. In the C major scale, the tonic chord is formed by C, E, and G; the dominant chord by G, B, and D; and the subdomi­nant chord by F, A, and C. Any note in the diatonic scale can be harmonized with one of the chords—the tonic, dominant, or subdominant. Many simple songs are har­monized by using only these chords.
Most Western composers use a harmonic system based on the tonic and dominant notes of the scale. The composer fixes the tonic and thus a specific key (tonal centre) firmly in the listener's mind. The composer may then modulate (shift) from one key to another by adding sharps or flats to the music. Generally, these sharps or flats prepare the dominant or tonic of the new key. Modulation adds variety and may emphasize a contrast­ing section of a work. In most cases, the composer eventually returns to the original key.
Another important element of harmony is the ca­dence. This is a succession of chords that end a musical work or one of its sections. Most pieces of classical music end with a perfect cadence,which consists of a dominant chord followed by a tonic chord. A plagal ca­dence consists of a subdominant chord followed by a tonic chord. The "Amen" ending of a hymn is an example of a plagal cadence.
Harmony has been a part of Western music for more than 1,000 years. However, Western composers' ideas about harmony have changed considerably over the centuries, particularly their ideas about consonance and dissonance. Harmony that sounds smooth and pleasant is consonant. Harmony that sounds rough and tense is dissonant. Generally, the notes that belong to the major and minor triads are considered consonant intervals, and all other intervals are dissonant.
Composers use harmony chiefly for music that has a melody and accompaniment. Some musical composi­tions consist of two or more melodies played at the same time. This form of music is called counterpoint.
Tone colour, also called timbre, is the quality of a musical sound. Tone colours produced by different mu­sical instruments vary widely. For example, a flute has a smooth, bright sound, while an oboe has a more nasal quality. The differences in tone colour are due to differ­ence in the way the instruments are made and in the means of producing sounds on them. Composers take account of tone colour in orchestration (writing or ar­ranging music for a group of instruments). They com­bine tone colours just as an artist combines paints to create a picture.

Musical notation
Through the years, composers developed a system for writing down music so it could be performed by mu­sicians. This system is called notation. Notation indicates (1) the pitch of notes; (2) the time values, or duration of the notes; and (3) expression—that is, the composer's ideas about the manner in which the music should be performed.
Indicating pitch. The simplest way to express pitch is to use the letters A to G. This kind of notation, how­ever, cannot show rhythm. Since the 1200"s, composers have used staff notation to express both pitch and rhythm. In this system, signs called notes represent mu­sical sounds. The notes appear on a staff, which consists of five horizontal lines and the four intervening spaces. Each line and space represents a certain pitch. Short ledger lines indicate pitches above or below the staff.
clef sign at the left end of the staff determines the names of each line and space. Most music is written in either treble clef or bass clef. High notes, such as those for the violin and flute, appear in treble clef. This clef is often called the G def. It fixes the G above middle C (the C nearest the middle of the piano keyboard) on the second line from the bottom of the staff. Lower notes ap­pear in bass def, also called F def. The bass clef fixes the F below middle C on the second line from the top of the staff.
Composers use both treble clef and bass clef for piano and harp music. The C def is used in music for the viola, and sometimes in music for the bassoon, cello, and trombone. This clef fixes middle C in a posi­tion that minimizes the number of ledger lines.
staff signature, or key signature, appears at the right of the clef sign. It consists of sharp signs (#) or flat signs (b) that indicate which notes should always be played sharp or flat. Each staff signature can indicate ei­ther of two keys - one major key and one minor key. For example, two sharps can mean the key of either D major or B minor.
The composer may show a change from the staff sig­nature by placing an accidental in front of a note. An ac­cidental is the sign for a sharp, a flat, or a natural. Any note not marked by a sharp or a flat is a natural. The nat­ural sign cancels a sharp or a flat.
Indicating time values. Staff notation enables com­posers to indicate how long each note should be held. The semibreve has the longest time value of any note. The second longest note is the minim, then the crotchet, quaver, semiquaver, demisemiquaver, hemidemisemi - quaver, and so on. Each time value is divided by two to find the next smallest note value.
The shape of a note shows its time value. Semibreves and minims have an open oval shape. Notes with shorter values have solid oval shapes. All notes except semi-breves have stems. To indicate notes with shorter values than the crotchet, composers attach flags, or tails, to the stems. A quaver has one flag; a semiquaver has two, a demisemiquaver has three, and so on. In a series of short notes, the composer connects the note stems with beams instead of attaching a flag to each stem.
A dot on the right of a note increases its duration by half. For example, a dotted minim equals a minim plus a crotchet. Duration may also be increased by a tie, a curved line that connects consecutive notes of the same pitch. The total duration of tied notes equals that of the notes combined.
Periods of silence are an important part of a piece of music. The composer uses marks called rests to indicate silence in music. The various shapes of rests indicate their time values.
A composer groups the notes and rests in a piece of music into units of time called bars, or measures. The composer uses bars to separate measures on the staff. The way in which beats are grouped in bars is called the metre.
Metre is indicated by the time signature, a fraction that appears at the beginning of a piece of music. The numerator of the fraction tells the number of beats in a bar. The denominator tells what kind of note - minim, crotchet, quaver - receives one beat. Music with a J metre, for example, has two beats to a bar and a crotchet as the beat unit. One bar of J may have a minim, two crotchets, four quavers, or some other com­bination totalling two beats. A J metre, sometimes writ­ten as C, has four crotchets to a measure. Other com­monly used metres include \ and J.
Many modern composers create irregular rhythms by changing the time signature several times during a piece of music. These composers also may use unusual time signatures, such as J or jj.
Another important element of time in music is tempo. The tempo tells how slowly or quickly the beat unit should be played. Composers sometimes show tempo by a metronome mark, which indicates the number of beats per minute. The musician can then follow the tempo by using ametronome, a timekeeping machine that can be adjusted to tick off each beat. Composers also may use a number of Italian words to indicate tempo. For example, the word adagio means slowly, and the word presto means fast. These Italian words are used because Italian musicians had the greatest influence in Europe during the 1600's and 1700s, when com­posers first used words to indicate tempo.
Indicating expression. To affect a listener's feelings, music must be expressive. Composers use various words and symbols to indicate the kind of expression they want in a piece of music.
Some directions indicate articulation - that is, how a series of notes should be connected. A curved line over or under notes means that the notes should be con­nected smoothly. This style of playing is called legato. A dot over or under notes indicates that they should be played as short notes with silence between them. Musi­cians call this type of articulation staccato.
Composers use certain Italian words or their abbrevi­ations to indicate dynamics (loudness or softness). For example, the word pianissimo (or pp) means very soft, and the word fortissimo (or ff) means very loud. Other directions, also in Italian, concern the emotional quality of the music. For example, dolce means sweetly, allegro means lively, and cantable mean songlike.

Music around the world
Western music is the music of people of European ancestry. It is the major form of music in Europe, North America, South America, and Australia. People in some Asian countries - for example, China, Korea, and Japan— also enjoy Western music. Western music can be di­vided into three main types: (1) classical music, (2) popu­lar music, and (3) folk music.
Classical music, also called art music, is composed according to certain rules and performed by musicians from written music. It includes symphonies and music for opera and ballet. Classical composers have written different styles of music during different periods of history. For example, most classical music composed in the late 1700s stresses simplicity and elegance. But much classical music of the late 180ffs is highly imaginative and emotional. Music written by great classical compos­ers of the past provides as much enjoyment today as when it was written. See Classical music.
Popular music includes many kinds of music, such as country music, jazz, rock music, and music from musical comedies and films. Popular music, or entertainment music, is generally much simpler than classical music. However, some pieces written as popular music hun­dreds of years ago are performed as classical music today. In addition, many great classical composers wrote some tunes in the style of the popular music of their time. Thus, the line between popular and classical music is flexible, not hard and fast.
Country music is derived from the folk music of rural whites of the Southern United States and other Ameri­can traditional music. Country music is played from memory or improvised (spontaneously varied) from an existing song. See Country music.

Jazz first became popular about 1900 among blacks of the Southern United States. It combines the complex rhythms of African music and the harmony of Western music. Jazz musicians have experimented with many kinds of instruments and styles. Most jazz features much improvisation.
Rock music is a mixture of blues, country music, so. and American and British entertainment music. It is eas­ier to understand than classical music or jazz. Styles or rock music frequently change, but such music always has a strong beat and a simple melody and rhythm.
Folk music consists of the traditional songs of a pepie. Most folk songs begin in rural communities. One person makes up a song, and other people hear it and learn to sing it. Some folk songs have been passed or - this way for hundreds of years. Many composers of clas­sical music have used folk music in their works. See Folk music.
Asian music sounds different from Western music because the scales, instruments, and composing tech­niques used are different. For example, a scale in West­ern music has 12 notes to an octave. But the Arab scale has 17 notes to an octave, and the Indian scale has 22 notes. Such scales are called microtonal because they are made up of microtones - that is, intervals smaller than a semitone. The chief types of Asian music are those of (1) China, (2) Japan, (3) India, (4) the Arab coun­tries, and (5) Indonesia.
Chinese music began more than 2,000 years ago. Or­chestras with hundreds of musicians performed at early Chinese religious ceremonies and court festivities. Today, all Chinese plays are set to music. Peking opera.
The principal Chinese musical instruments are the jin and the pipa, two plucked stringed instruments. Chinese’ musicians also play bowed stringed instruments, flutes, and percussion instruments, especially bells, drums, and gongs. The basic scale of Chinese music has five notes, most commonly F, G, A, C, and D. Traditional Chi­nese music does not have harmony.
Japanese music was influenced by the court music of China. Japanese court music, called gagaku,dates from the A.D. 700's. Japanese orchestras consist of shakuhachi (bamboo flutes), gongs, drums, and such plucked stringed instruments as the samisen and the koto.
Music is an essential part of Japanese theatre. The no play, a form of Japanese drama developed in the 1300's, features solo and choral singing with accompaniment by a small orchestra. A large orchestra provides back­ground music for the kabuki, a dance-drama.
Japanese music has no harmony but makes use of microtones and free rhythm. The basic scales are the natural minor scale and a major scale with the fourth note raised a half step for example, the C major scale with an F sharp instead of an F.
Indian music is one of the few kinds of non-Western music that have become internationally popular. It first flourished in Hindu temples and the courts of the maha­rajahs (great kings) of India. A soloist sings or plucks a stringed instrument, such as the vina or the sitar. The so­loist may be accompanied by a drummer and a musician playing a tambura, a lutelike instrument.
The notes of the Indian scale are arranged in various patterns called ragas. Each raga has a special meaning and may be associated with a particular mood, emotion, season, or time of day. The performer chooses an ap­propriate raga, plays it, and then improvises on it. See also India, Dance and music of.
Arab music is the music of the Arab nations of the Middle East and northern Africa. The main Arab instru­ments include flutes; drums; and two plucked stringed instruments, the oud and the qanun. Most Arab songs have instrumental accompaniment. However, musical in­struments may not be used in Muslim worship. The chief Muslim religious music consists of calls to prayer sung by criers called muezzins and the chanting of pas­sages from the Quran, the sacred book of the Muslims.
Indonesian music is noted for orchestras called gamelans. These orchestras consist of drums, gongs, and xy­lophones and are used to accompany puppet plays. Gamelan music has a kind of harmony because the in­struments play different melodies at the same time.
African music is the music of black peoples who live south of the Sahara. These peoples use music in almost every aspect of their lives, especially religious ceremo­nies, festivals, and social rituals. Many Africans believe that music serves as a link with the spirit world.
Drums are the most important instruments in African music. Some drums are made of animal skins and may be played with the fingers. Others consist of hollow logs that the performer beats with sticks. African musicians also play flutes, xylophones, and stringed instruments. One kind of instrument, called the sansa or mbira, con­sists of a number of metal strips attached to a piece of wood. The musician plays the instrument by plucking the strips with the fingers or thumbs.
Most African music features complex rhythms. The musicians create these rhythms by combining different patterns of beats played on drums and iron bells or pro­duced by handclapping. Some African songs have har­mony. In many songs, a leader sings a phrase and then the chorus repeats the phrase or sings a refrain. Ele­ments of African music appear in jazz, spirituals, gospel music, and the popular music of Brazil and the Carib­bean.
American Indian music is the traditional music of the Indians of North and South America. Much of it de­veloped before Europeans arrived in the Americas.
American Indians almost always perform music as part of an activity. For example, music and dancing play an important part in Indian religious ceremonies and such tribal rituals as rain dances and hunting dances. In­dian religious leaders called medicine men sing songs as they treat the sick. The Indians also use songs in vari­ous social situations, such as courtship and trading. Many Indians compose their own' songs. In the past, they said that they learned these songs from spirits that appeared to them in dreams.

Most American Indian music consists of singing ac­companied by drums or rattles. Much of this vocal music uses a five-note scale—A, C, D, F, G. Some Indian groups also perform flute music.
In various parts of Latin America, the music of the In­dians mixed with the folk music of their Spanish con­querors. This mixture produced distinctive types of pop­ular music and dance.
Related articles: See the Arts section of the articles on various countries, such as China (The arts). See also the following articles:
Biographies: For biographies of people in the field of music, see the lists 0" Related articles at the end of Classical music; Hymn; Jazz; Musi­cal comedy; Opera; Piano; Popular music; and Violin.

Outline
The Importance of music
In ceremonies   
In work
Musical instruments
Stringed instruments
Wind instruments C Percussion instruments
The elements of music
Notes
Rhythm C Melody
Musical notation
Indicating pitch
Indicating time values
Indicating expression
Music around the world
Western music 
Asian music       
African music
American-Indian music

Questions
How do composers indicate silence in music?
What is Western music? Why does Asian music sound different from Western music?
What is a staff signature? A  time signature?
How do minor scales and major scales differ?
What is counterpoint?
What is the difference between tone and tone colour?
How does a musician play a brass instrument?
What is a theme? A  motive?
What is the major difference between music and such arts as painting and poetry?

Music hall is a form of entertainment that was at the height of its popularity in the late 1800's and early 1900's in Britain. Music hall entertained mainly the poorer working people, and most of the performers came from this class. The humour was broad and robust. Music halls had up to 20turns (performances) on their bills (programmes). Performers often appeared in three or four halls in one evening and toured all over the coun­try. The most popular performers were comedians, ac­robats, jugglers, dancers, singers, and conjurers. Top performers included the singer Marie Lloyd and the male impersonator Vesta Tilley.

Music hall developed from the singing rooms of tav­erns. In 1854, Charles Morton opened a special room at the Canterbury Arms on the south side of the River Thames. The room had a stage and was known as the Surrey Music Hall. Other public houses opened similar halls. Between World Wars I and II, music hall lost its popularity, party because of competition from the cinema and radio. After World War II, it virtually ceased as popular entertainment.

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